Curious Worlds the Art Imagination of David Beck

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've always taken an art history form or spent time in a fine arts museum, chances are yous know a lot almost the men who "divers" their mediums. Equally with other subjects, most of what we learn almost art history today withal centers on white men from Europe and, later, the United States. In reality, at that place are so many more than artists of all genders to larn from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its nigh unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in changing the world of fine fine art and how nosotros ascertain information technology.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more 30 years. Subsequently studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is maybe virtually well known for her serial of Untitled Motion picture Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person pic characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

Y'all might showtime call up of Yoko Ono as a musician and activist, but she'southward also an accomplished performance and conceptual artist. Ono was considered a pioneer in the operation fine art motion, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Slice, was a performance she first staged in Japan; Ono sat on phase in a nice conform and placed scissors in front of her, and, in an deed of daring vulnerability, invited audition members to come on stage and cutting away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'due south Black Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you might be able to requite them some sort of message."

Frida Kahlo

People wait at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oftentimes used assuming, bright colors to create her symbol-rich works, and was regarded as ane of the virtually influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Start Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — equally she was the showtime Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Series Ruby-red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you lot likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the kickoff adult female painter to gain the respect of the New York art world, all past painting in her unique mode.

Adrian Piper

Adrian Piper wins the Gold Lion for best creative person in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her work to question society, identity, and racial politics by demanding the audition to face up truths nigh themselves. She frequently challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, moving picture, and video piece of work, much of which explores the relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer'due south work focuses on words and ideas, which she puts on advertizement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity equally meditations on various concepts, such as trauma, cognition, and hope. One of her more notable works, I Aroma You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic N American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the chief styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dear, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilisation and popular art, Mickalene Thomas frequently embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures inside the early on Feminist Art motility. As exemplified in her iconic piece of work The Dinner Party, her installation pieces oft examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the showtime feminist art program in the United States.

Augusta Savage

Augusta Vicious with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating scenic sculptures, often of Black folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Mod Art (MoMA)

Known for her provocative functioning fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Merely wait up her most famous work, Interior Scroll, and yous'll see what nosotros mean.) She used her torso to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In add-on to documenting New York City'southward queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'south the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south concluding public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — simply in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Yet from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear upon Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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